Friday, March 19, 2010

Download Kubrick's 2001: A Triple AllegoryBy Leonard F. Wheat

Download Kubrick's 2001: A Triple AllegoryBy Leonard F. Wheat

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Kubrick's 2001: A Triple AllegoryBy Leonard F. Wheat

Kubrick's 2001: A Triple AllegoryBy Leonard F. Wheat


Kubrick's 2001: A Triple AllegoryBy Leonard F. Wheat


Download Kubrick's 2001: A Triple AllegoryBy Leonard F. Wheat

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Kubrick's 2001: A Triple AllegoryBy Leonard F. Wheat

Acclaimed in an international critics poll as one of the ten best films ever made, Stanley Kubrick's 2001: A Space Odyssey has nonetheless baffled critics and filmgoers alike. Its reputation rests largely on its awesome special effects, yet the plot has been considered unfathomable. Critical consensus has been that Kubrick himself probably didn't know the answers.Leonard Wheat's Kubrick's 2001: A Triple Allegory reveals that Kubrick did know the answers. Far from being what it seems to be—a chilling story about space travel—2001 is actually an allegory, hidden by symbols. It is, in fact, a triple allegory, something unprecedented in film or literature. Three allegories—an Odysseus (Homer) allegory, a man-machine symbiosis (Arthur Clarke) allegory, and a Zarathustra (Nietzsche) allegory—are simultaneously concealed and revealed by well over 200 highly imaginative and sometimes devilishly clever symbols. Wheat "decodes" each allegory in rich detail, revealing the symbolism in numerous characters, sequences, and scenes. In bringing Kubrick's secrets to light, Wheat builds a powerful case for his assertion that 2001 is the "grandest motion picture ever filmed."

  • Amazon Sales Rank: #1100737 in eBooks
  • Published on: 2000-06-21
  • Released on: 2000-06-21
  • Format: Kindle eBook

Review ...his conclusions...ought to be pondered by everyone with a serious interest in the film...Indeed, part of the fun of reading his book is deciding whether, detail by detail, one agrees or disagrees with Wheat's specific reading...Wheat's readings of the Nietzschean allegory are perhaps even more compelling...a valuable contribution to our understanding of the best science fiction film ever. (Science Fiction Studies)All of Wheat's correlations are well worth pondering. His writing is immediately accessible; he even directly addresses the reader, inviting forethought and additional speculation. (Extrapolation)

From the Inside Flap Acclaimed as one of the ten best films of all time, Stanley Kubrick's 2001: A SPACE ODYSSEY has nonetheless baffled critics and filmgoers alike. Surrealism, intense symbolism, and mystifying ambiguity have created confusion and led many to doubt that even Kubrick had the answers. Leonard Wheat shows that Kubrick did have the answers--answers grounded in allegory. But whereas a normal allegory is a surface story that symbolically tells a hidden story, 2001's surface story does something unprecedent in film or literature. It tells three hidden stories: Homer's THE ODYSSEY; a spoofy tale based on science fiction writer Arthur C. Clarke's idea of man-machine symbiosis; and Nietzsche's magnum opus, THUS SPAKE ZARATHUSTRA.

About the Author Leonard F. Wheat was an economist with the Economic Development Administration of the U.S. Department of Commerce before retiring in 1997. He is the author or (in one case) co-author of four previous books, including one philosophical study and three economic studies. He is also author of two book-length government studies and several journal articles and is an associate editor of the Journal of Regional Science.

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Kubrick's 2001: A Triple AllegoryBy Leonard F. Wheat PDF

Kubrick's 2001: A Triple AllegoryBy Leonard F. Wheat PDF

Kubrick's 2001: A Triple AllegoryBy Leonard F. Wheat PDF
Kubrick's 2001: A Triple AllegoryBy Leonard F. Wheat PDF

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